80s Hairstyles Black Woman – For centuries, black communities around the world have created their own unique hairstyles. These hairstyles are ancient and continue to be connected to the social, political and cultural debates surrounding black identity today.
From box braids to dreadlocks and afro look-ups, the most interesting black hair styles can be found in paintings, drawings and hieroglyphs from Ancient Egypt. When the painted sandstone bust of Queen Nefertiti of Egypt was rediscovered in 1913, her radiant beauty—accentuated by a long hairstyle—was beyond doubt and she quickly became an international icon of female power.
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Often used instead of hats, wigs marked a person’s status and were important to royal and wealthy Egyptians, both men and women. In 2050 B.C. sarcophagus of princess Kawit shows the princess having her hair done by a servant during breakfast. Such wigs were often decorated with woven pieces of human hair, cotton, palm fibers and other materials placed over a thick skull cap. Egyptian law did not allow slaves and servants to wear wigs.
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Dreadlocks are often seen as a hairstyle associated with Jamaican and Rastafarian culture of the 20th century, but according to Dr. Bert Ashe’s book,
Some of the earliest known records of the style are found in the Vedic texts of the Hindus. According to its Indian origin, “jaTaa”, which means “to wear hair coverings,” was a hairstyle worn by many people recorded 2,500 years ago.
Hair was used to indicate marital status, age, religion, wealth, and status within West African societies. Nigerian housewives in polygamous relationships developed a style known as kohin-sorogun, meaning “turn your back on a jealous rival wife,” which in retrospect was meant to mock their husbands’ other wives. If a young Senegalese Wolof girl was not of marriageable age, she would have to shave her head in a certain way, while the men of this group braid their hair in a certain way to show that they are ready for war and therefore. ready for death.
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Another hairstyle, still popular today, with rich African roots is the Bantu knot. Bantu is generally translated as “people” among many African languages, and is used to distinguish over 400 tribes in Africa. These knots are also called Zulu knots because the Zulus of South Africa, a Bantu tribe, invented hair. The appearance also corresponds to the name of Nubian knots.
Cornrows are named for their visual resemblance to cornfields. Africans wore these strong cloths that were placed close to the skin as a representation of agriculture, order and a civilized way of life. These types of braids have served many purposes, from simple everyday to elaborate decorations intended for special occasions. Other styles of weaving such as box braids are linked back to the embuvi weaving of the Mbalantu women in Namibia.
During colonial times, slaves wore cornrows not only as a tribute to where they came from, but also as a useful way to wear their hair during long hours of work. Hair also played a role in how slave laborers were treated; if the texture and kink of human hair is similar to European hair, they could get better treatment.
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A page from Madam C.J.’s school book. Walker Beauty School, Madam C.J. Walker’s “Wonderful Hair Grower” and 1920s electric heater and comb.
Gift of A’Lelia Bundles/Madam Walker Family Archives; Gift from Dawn Simon Spears and Alvin Spears Sr.; Gift of Linda Crichlow White in honor of her aunt, Edna Stevens McIntyre/Collection of the Smithsonian National Museum of African American and Culture
Even after Liberation, there was a growing perception that European textured hair was “good” and African textured hair was “ugly,” foreign and useless. Wigs and chemical treatments became the way to achieve smooth, straight hair. Cornrows were still popular, but this time only as a basis for braids and extensions, not something that had to be shown to the public.
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In the early 1900s, Annie Malone and Madam C.J. Walker began developing products that targeted these hair needs directly. Annie Malone marketed the “Wonderful Hair Grower” treatment product and promoted the use of hot combs through her Poro Company. While still far from exciting, the electric comb was a gentler alternative to the previous method of hot straightening. Since 1905, Madam C.J. Walker became a millionaire who made a name for himself with a home remedy for hair and skin problems, the famous Walker Method, “which involved hot combing and pomade.
In the 1920s, Jamaican-born Marcus Garvey started the black nationalist movement in America to spread his belief that all blacks should return to their rightful homeland in Africa. Although many people associate dreadlocks like Bob Marley with what became known as the Rastafari movement, the Ethiopian ruler who bears his name was known more for his facial hair than his head hair.
Early Rastas were reluctant to cut their hair because of the oath of Unadirism in the Bible. Discussions about whether these areas should be merged began to heat up. In the 1950s, a group within the Rastafari movement, Youth Black Faith, broke away from any signs of conformity, and split between the “House of Shorts” and the “House of Meeting.”
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Along with the Civil Rights Movement of the 1960s and 70s, came the rise of the natural hair movement that encouraged black communities to embrace their hair and ditch harmful products. The idea of following European standards did not fit their dark message. The games of these original styles were their own form of activism, and seem like a statement in rediscovering their roots. Popular icons of the time such as Angela Davis, Jimi Hendrix and Diana Ross were known for their afros. The conservative hairstyles of the time were met with opposition, like many other aspects of the Civil Rights Movement, and were criticized and considered “absurd.”
Jheri curl produced a glossy curl style that became a unique icon of its time. The name comes from its founder, Jheri Redding, a white man from an Illinois farm who became one of the leading hair chemists of the 20th century. In the 1970s, Jheri Redding Products developed a two-step chemical process that first smoothed hair, then curled it. .
Comer Cottrell, however, is the man responsible for bringing this product to the masses. In 1970, Cottrell and two partners began mixing hair care products for their new L.A. company, Pro-Line Corporation. In 1980 they were able to create a product that replicated the Jheri curl look at a much cheaper price. The Curly Kit eliminated the need for expensive salon appointments and in 1981,
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Magazine called it “the single biggest black makeup product ever to hit the market.” In their first year of business, the $8 devices took in over $10 million in sales.
The 1980s saw the birth of Hip Hop, which had a huge cultural impact on the style. Barbers in the U.S. they had completed but in the 80s they allowed themselves to blossom into many forms of composition and expression. Afros were styled short on the sides for an up-do fade, and cornrows were braided for distinct highlights. Icons such as Grace Jones were featured on their album covers, and by the 1990s the fade was being televised across the US, with Will Smith.
When black men and women push for acceptance by going natural, they face resistance. In the 1980s, the Hyatt hotel chain banned black female employees who wore cornrows. In the 1990s FedEx couriers were fired if they had dreadlocks. At school, black children were told that their natural hair was a dress code violation or a distraction in class. It wasn’t until 2014 that the US military reformed its appearance and grooming policies and included natural hairstyles that were previously banned.
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Although this hairstyle was heavily criticized, it didn’t stop non-black groups from adopting it as their own, often showing a lack of understanding of the abundance of braids, curls and locs. When Kim Kardashian wore cornrows in 2018, she called them “Bo Derek inspired,” referring to the hairstyle worn by the white actor in the 1979 film.
. Men and women outside the black community are praised for their “new” and “fashionable” looks, which, knowingly or unknowingly, perpetuates black culture.
FACT: We strive for accuracy and fairness. But if you see something wrong, click here to contact us! reviews and updates its content regularly to ensure it is complete and accurate. As we embrace the advancement of technology, media and beauty, we cannot forget about ideas and trends that stand the test of time. In the 80s, 90s and 00s, black television sitcoms were produced at twice the rate of today, and at the same time, hot hairstyles were created in a short time. We honor the sitcoms that gave us lessons to learn and styles to emulate. Whether it’s hair or fashion, we can all channel it
